Amores Perros and Y Tu Mama Tambien

Loved Amores Perros. It gets compared to Pulp Fiction for superficial reasons (interwoven stories; black comedy; violence; first scene is a suspenseful car ride with a a bloody victim in the back seat), but has little in common. Where Pulp Fiction is ice cold, Amores Perros is passionate; it’s dark humor comes from nuances of heartbreak. Pulp Fiction is post-modern nihilist; the outcome is defined by genre. Amores Perros is more post-Catholic; the outcome for each of various characters is one part accident; and one part the fatal outcome of decisions.
Didn’t like Y Tu Mama Tambien so much, for much the reasons as the various Amazon reviewers who didn’t like the movie. The teenage boys were doofuses. The famed sex scenes didn’t do much for me. The bleak background scenes of Mexican countryside with occasional pompous voiceovers attempted to instill social relevance to a movie which would be better off honestly shallow. The final plot twist with the female character isn’t believable, and gets the storyteller out of the need to forsee the the consequences of the story.
I wish I had more film vocabulary to describe visual styles. A film class someday? Maybe some books or DVDs.

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